Review of Blade Runner 1982 Final Cut Trailer
Blade Runner Discussion: The Complexity of Deckard and Rachel
In this episode, the hosts dive into the intricate scenes of Blade Runner, focusing on the moment Deckard saves Rachel and the resulting implications. They discuss the possible emotions and relationships between humans and replicants, touching upon Ridley Scott's challenging experience filming in America. The conversation also explores Deckard's potential status as a replicant and the thematic significance of unicorns in the narrative.
00:00 Engrossing Movie Moments
00:16 Behind the Scenes Challenges
00:31 Unpacking Character Dynamics
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Everywhere we are, all at once.
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Tell us what you think of the movie. Would you give it a PASS, CONSIDER, or a RECOMMEND?
Have a movie to suggest? A comment to make?
You have ninety seconds. ACTION!
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Snyder's Genres:
MONSTER IN THE HOUSE - MONSTER, HOUSES, SIN
GOLDEN FLEECE - ROAD, TEAM, PRIZE
OUT OF THE BOTTLE - A WISH, A SPELL, A LESSON
DUDE WITH A PROBLEM - AN INNOCENT HERO, A SUDDEN EVENT, A TEST OF SURVIVAL
RITE OF PASSAGE - A LIFE PROBLEM, THE WRONG WAY TO FIX IT, THE SOLUTION TO THE PROBLEM
BUDDY LOVE - AN INCOMPLETE HERO, A COUNTERPART NEEDED TO MAKE THEIR LIFE WHOLE, A COMPLICATION THAT IS KEEPING THEM APART EVEN THOUGH THAT FORCE IS BINDING THEM TOGETHER
WHYDUNNIT? - A DETECTIVE, A SECRET, A DARK TURN
FOOL TRIUMPHANT - A FOOL, AN ESTABLISHMENT, A TRANSMUTATION
INSTITUTIONALIZED - A GROUP, A CHOICE, A SACRIFICE (JOIN, BURN IT DOWN, COMMIT SUICIDE)
SUPERHERO - A POWER, A NEMESIS, A CURSE
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The Snyder Beats:
OPENING IMAGE
THEME STATED
SETUP
CATALYST
DEBATE
BREAK INTO TWO
B STORY
FUN AND GAMES
MIDPOINT (FALSE VICTORY OR DEFEAT BUT OPPOSITE OF THE ALL IS LOST)
BAD GUYS CLOSE IN
ALL IS LOST (OPPOSITE OF THE MIDPOINT, FALSE VICTORY OR DEFEAT)
DARK NIGHT OF THE SOUL
BREAK INTO THREE
gathering the team
executing the plan
high tower surprise
dig deep down
execution of the new plan
FINALE
FINAL IMAGE
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"Welcome to the Show" Kevin MacLeod (incompetech.com)
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Transcript
[00:00:10] Chris: better because now he's fucking helping. They achieve awareness and now have a beef. Big surprise.
[:[00:00:22] James: Here we go.
[:[00:00:27] Chris: All right. Pump the brakes. Here's what I said. [00:00:30] Whoa, whoa, whoa.
[:[00:00:39] Phil: Now In Rachel. But if he's not a replicant, and he knows she is, does it seem weird that he's fallen in love with a robot?