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Published on:

2nd Jul 2025

Behind the Scenes of Our Podcasting Journey

Our discussion centers around two notable films, with a particular emphasis on "3,000 Miles to Graceland." The conversation unfolds as we navigate the complexities of recording a podcast, highlighting the importance of clear communication regarding the recording process. We delve into the nuances of consent and the unspoken etiquette of podcasting, underscoring the necessity of being aware when one is being recorded. Additionally, we touch upon the significance of our online presence through our website, which serves as a conduit for our audience to engage with our content. Ultimately, this episode elucidates the interplay between film analysis and the podcasting experience, inviting listeners to reflect on both realms with a discerning eye.

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The discussion unfolds with the introduction of two cinematic endeavors, specifically focusing on the film "3,000 Miles to Graceland." This film, a confluence of action and heist genres, serves as a backdrop for a deeper examination of themes such as loyalty, betrayal, and the relentless pursuit of happiness amidst chaos. The speakers engage in a thoughtful critique of the film's narrative structure, character development, and the underlying motivations of its protagonists, which reveal a tapestry of human emotions juxtaposed against the stark realities of life. The interplay between the characters reflects broader societal issues, prompting a nuanced dialogue about the moral ambiguities depicted in the film and how they resonate with contemporary audiences.

As the conversation progresses, the speakers delve into the technical aspects of filmmaking, including cinematography and editing techniques that enhance the storytelling experience. They draw parallels between the film's visual aesthetics and its thematic substance, arguing that the director's vision is crucial in conveying the intended message. This exploration extends to the film's reception and its impact on audiences, ultimately leading to a contemplative analysis of how art influences perception and the collective consciousness. Through this in-depth examination, the speakers not only elucidate the intricacies of "3,000 Miles to Graceland" but also reflect on the broader implications of cinematic narratives in shaping societal values and individual perspectives.

Takeaways:

  • During the podcast, we discussed the nature of recording and the importance of consent.
  • We acknowledged that the act of wearing headphones signifies that recording is occurring.
  • The conversation highlighted our shared understanding regarding what should and should not be recorded.
  • We reiterated the significance of clear communication when it comes to informing participants about recording.
  • The dynamic between the speakers illustrated the nuances of informal yet structured dialogue during a podcast.
  • We reflected on the nature of privacy and the need to safeguard personal information in recordings.

Mentioned in this episode:

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Transcript
Speaker A:

We have two movies.

Speaker A:

We have 3,000 miles to Graceland.

Speaker B:

Are you recording?

Speaker A:

Yeah, yeah.

Speaker B:

We got all that message.

Speaker B:

Yeah, we've been through the headphones.

Speaker B:

You gotta tell people when you're recording them.

Speaker B:

That is the wall, sir.

Speaker B:

I'm gonna put a sign on the door.

Speaker A:

I don't know if you can see.

Speaker B:

That red lights on.

Speaker A:

All I have to do is say that one time real low and I'm legally.

Speaker A:

You know.

Speaker B:

You gotta say what?

Speaker B:

Oh, you.

Speaker B:

Can you see that light?

Speaker A:

Several years ago, I said, when that red light is on, your recording.

Speaker A:

And I probably whispered it, but it doesn't matter.

Speaker A:

Legally, you have been informed.

Speaker A:

Sir.

Speaker A:

I'm teasing.

Speaker A:

Yes, we've been recording.

Speaker B:

You don't do it every time.

Speaker B:

Like, legally.

Speaker B:

Just the ones probably, like James said.

Speaker B:

I mean, you're entering the room.

Speaker B:

What do you think.

Speaker A:

Your first clue should have been when you put on the headphones to sat in front of the mic?

Speaker B:

I'm just.

Speaker B:

Yeah.

Speaker B:

Being an.

Speaker B:

But yeah, I think the invitation to come over and do a podcast and the fact that we showed up.

Speaker A:

Yeah, we're gonna do a podcast.

Speaker A:

We're not gonna record.

Speaker B:

This thing the whole time anyway.

Speaker B:

Yeah, we have a.

Speaker B:

We have a website and everything.

Speaker B:

Dumbass.

Speaker B:

Anyway, sorry.

Speaker A:

All that will not make it on air.

Speaker B:

What?

Speaker B:

Yeah, that's.

Speaker B:

Nobody wants to hear that.

Speaker B:

The outtakes are some of the best parts.

Speaker A:

Yeah, I mean, every now and then we make what we.

Speaker B:

Were talking about earlier.

Speaker B:

I don't want it out either.

Speaker B:

Bank account information, Social Security information.

Speaker A:

Yep.

Speaker B:

All right.

Speaker B:

And people.

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About the Podcast

Fellowship Of The Reel
One movie review podcast to rule them all
A single movie is more powerful than a thousand realities...or something.
Come to Fellowship Of The Reel, a movie review podcast beyond the furthest reaches of your imagination.
Four movie fans meet to discuss, debate, and ultimately review movies of their own choosing.
One Movie Review Podcast To Rule Them All!

About your hosts

Philip McClimon

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Philip A. McClimon is an author who likes to write about the end of the world (post apocalyptic, Sci/Fi), mostly because he thinks the shopping would be awesome (No crowds, everything free). He likes heroes that are the strong, silent type and not necessarily male. By silent he means up until the time there is something snarky to say, usually before, during, and after doing something cool.

He writes Urban Fantasy under the name Billy Baltimore for no other reason than that he likes the name. Many of the same rules for his other stories apply to Billy’s, strong silent types, smart mouth, does cool stuff, but these stories take place in a made up town called Hemisphere and involve stuff you only ever hear about on late night conspiracy talk show podcasts, which are, if you think about it, pretty awesome too.

So, that's Phil. He's not strong, rarely silent, and isn't known for doing a lot of cool things.

But his characters are.

Sherry McClimon

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The wife of Philip McClimon. Probably all that needs to be said. She is responsible for his bad behavior not being worse than it is. She is concerned that her mother might listen.

James Harris

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James Harris is a tech guru and musician extraordinaire; he also loves movies. A pretty decent guy all around.

Chris Sapp

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Chris Sapp has been a friend for a lot of years and a writer for a lot more. An encyclopedic knowledge of story and movies, he can take you on a deep dive into script and screen. Another pretty decent guy, which are the only kind allowed around here.